Science/Technology and Arts/Humanities have been diverging for all of recent history. While at one point in time, during Da Vinci’s age, there was such a thing as a renaissance man, who was as expert in the arts as the sciences, recent societal structures and concepts have led to two complete disparate cultures.
These two cultures are
outlined in C.P. Snow’s The Two Cultures
and the Scientific Revolution and I feel can be summed up in the following
statement,
“I now believe that if I had asked an
even simpler question— such as, What do you mean by mass, or acceleration,
which is the scientific equivalent of saying, Can you read?— not more than one in ten of the highly educated
would have felt that I was speaking the same language”.
In this simple anecdote, C.P. Snow
shows that the problem isn’t even so much as a lack of in depth understanding
within both spheres of knowledge, but rather that there is almost not even a
shared basic understanding within both spheres of knowledge. This incredible lacking in the knowledge and
abilities of the “higher educated” resonates with me heavily; I personally am a
chemical engineer who is going to attend a biomedical engineering doctoral
program next fall. In my major, I often run into students who go through the
motions of general electives but vocally express their belief that these
courses provide no relevant information.
Similarly, I have friends within the arts and humanities area who haven’t
taken a single calculus course, much less physical chemistry. Of course, while each student has his/her own
intellectual fate in his/her own hands, I believe that educational systems like
UCLA are to blame for this sense of complete disparity between the “two
cultures”. While general electives are
mandatory, they are taken as medicine and not emphasized as relevant to every
intellectual.
Even when technology and art become
relevant to each other, they are used more as tools to further each separate
sphere, not necessarily develop with each other. In the paper Myths and Confusions in Thinking about Art/Science/Technology,
Stephen Wilson points out that often “artists are ideally suited to function as
commentators” and therefore are constraining themselves “from the possibilities
of helping to shape research agendas”. This leads to general commentary being prevalent, as seen tin the following image, rather than actual constructive synergy.
It is this general idea that Snow believes hinders our society’s
progress; in this course, I hope to further my understanding of why this divide
plagues the minds of my peers and I as well as gain insight onto how the arts
and sciences can be integrated to provide a fully informed perspective for
future scientific research.
References:
Artsci.ucla.edu,. 'About | UCLA Art | Sci Center + Lab'. N.p., 2015. Web. 3 Apr. 2015.
Ganapati, Priya. 'April 15, 1452: It's The Renaissance, Man! | WIRED'. WIRED. N.p., 2015. Web. 3 Apr. 2015.
Purplepatch13.wordpress.com,. 'Science Vs Humanities | The Superstitious Atheist'. N.p., 2012. Web. 3 Apr. 2015.
Snow, C. P. The Two Cultures and the Scientific Revolution. New York: Cambridge UP, 1959. Print.
Wilson, Steven. Myths and Confusions in Thinking about Art/Science/Technology. Paper presented at College Art Association Meetings, NYC, 2000. Print.
I really like your analysis on C.P. Snow's paper and your view that "I believe that educational systems like UCLA are to blame for this sense of complete disparity between the “two cultures”. " Personally, I do not completely agree with you on this point. I feel educational systems like UCLA is in fact the powerhouse for interaction between art and science. Not many places can offer so many resources for the development of interdisciplinary studies as a big public research university. Nonetheless, this is definitely an interesting read! I like your opinions and your argument.
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